This is, in essence, a threshold that tells Vocal Rider to ignore sounds below a certain level a Ride/Idle activity LED lights when an above‑threshold vocal has been detected. It is necessary for the program to be able to differentiate vocals from background noise, which is where the Vocal Sensitivity knob comes in. Once you've levelled the vocal using Vocal Rider, you can apply compression more gently and more musically, using the plug‑in of your choice, as you no longer have to deal with large level variations. The plug‑in has a side‑chain input, and the best way to follow the mix level is to route all the instrumental sources in the mix to a bus and then select that as the side‑chain source. Up to 24‑bit, 96kHz operation is supported, and the plug‑in works in real time so you don't even have to 'learn' the track first.
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The plug‑in comes as mono and stereo versions and is protected by iLok you can also download a demo to try before you buy.
The standard Waves window bar is provided for saving and loading presets and for comparing between 'A' and 'B' settings. Vocal Rider is a cross‑platform plug‑in available in TDM, VST, AU and RTAS formats, and works by writing automation data for its own level fader directly into your DAW. Now Waves have come up with a plug‑in that does the job for you in a very straightforward and elegant manner. This takes time, but invariably sounds better than bludgeoning your vocal to death with excessive compression. How do you get a vocal to sit at the right level in a mix? You listen to the vocal level in the context of any instrumental backing, and make fader moves to keep the vocal balanced against the rest of the mix. Vocal Rider in action, showing the resulting automation exported to a Logic track. Go check it out for yourself.No matter how many compressors we own, when it comes to getting vocal levels right, there's no substitute for faders and hard work. There’s so much more we could say about this plugin, but we’ve probably sold you on it already. It helps you make quick work of overkill vocal tracks. The GUI is also something of a marvel, with a simple and streamlined but eye-catching design.
This plugin features side chain frequency modes, GUI scaling, undo/redo options, and an A/B switch. Use T-De-Esser to remove harshness from any sound sources you close mic’d, reduce sibilance in vocals, treat irregular tonal balance, manage glare from bright guitars and pianos, soften piercing synths, control high frequencies of overhead transients, and give increased dynamic range to your tracks. All while maintaining a natural, musical sound. Techivation’s T-De-Esser is a simplified, easy to use de-esser that will help you smooth out those unruly high frequencies. They help soften harsh vocal consonants and tame the intense highs that accompany inevitable frequency boosts with EQ plugins. You’re covered no matter what you’re using.ĭe-esser plugins are used in a high volume of professionally produced tracks. Oh, and it just so happens to work on instrumental tracks too (depending on what you’re trying to achieve).Īnd if you’re interested in getting T-Pain and Cher style robotic vocal effects, Graillon 2 has got your bases covered too.īest of all, the plugin is available in the VST, AAX, AU, and LV2 formats for Windows, Mac, and Linux.
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To be fair, with the free version you only get pitch shifting and pitch correction, but you’re still getting a powerful and versatile effect you can pull out of your hat to perform some surprising magic tricks on vocal tracks. It’s kind of nice to be able to get all that functionality out of one plugin without having to download separate modules for each effect. This is a fully capable “live voice changer” in the words of Auburn Sounds, and as you might be able to tell from the graphical user interface (GUI), it’s comprised of several sections – pitch tracking, pitch correction, pitch shift, and bitcrusher. Even producers who don’t always work with autotune should consider adding this beauty to their toolbox, because frankly, you just never know (if you’re working with clients especially…
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